We have ordered these reproductions so that the first is a view of the whole Chancel, so that viewers can appreciate the overall design and place the following images in context. We work clockwise round the chancel from the westmost window on the north wall to the south wall. The list below is in the order in which the images appear here. But the original watercolours already had two conflicting sets of numbers: a printed Roman and a pencilled Arabic. These are shown in adjacent columns. The fourth column shows whether the painting carries Herbert L. Smith’s signature although all are obviously by the same hand.